100 ULTRA LTD YELLOW TRANSPARENT BACK. + SPLATTER IN BLUE/BLACK/RED VINYL
300 LTD GREEN VINYL
BLACK VINYL
DIGIPAK
REPRESS of LOS NATAS album El Hombre Montaña in brand new coloured vinyls !!
This release is an epic slice of doom-laden pie fresh from Argentina, as the first fuzz-a-licious track "El Bolsero" proudly testifies. Waves of riff lick at the shores of melody as the vocals dive in and out of the mix, quite delicately so for this style of music.
The production job was handled by one of the stoner scene's greatest recording affeciandos Billy Anderson, who has worked with The Melvins, Neurosis, Acid King, Fantomas and High On Fire previously, to name but a few!
The production job is really quite superb, effectively capturing all the elements of the Los Natas sound and bringing each instrument to the fore in turn. - Roadburn Magazine
credits
SERGIO CH. - GUITARRA & VOCALS
WALTER BROIDE - BATERIA
GONZALO VILLAGRA - BASS
ADRIAN OUTEDA - VOCALS
MASTERED BY JUSTIN WEIS
ARTWORK BY SERGIO CH.
PRODUCED BY BILLY ANDERSON
100 ULTRA LTD YELLOW TRANSPARENT BACK. + SPLATTER IN BLUE/BLACK/RED VINYL
300 LTD GREEN VINYL
BLACK VINYL
DIGIPAK
REPRESS of LOS NATAS album El Hombre Montaña in brand new coloured vinyls !!
This release is an epic slice of doom-laden pie fresh from Argentina, as the first fuzz-a-licious track "El Bolsero" proudly testifies. Waves of riff lick at the shores of melody as the vocals dive in and out of the mix, quite delicately so for this style of music.
The production job was handled by one of the stoner scene's greatest recording affeciandos Billy Anderson, who has worked with The Melvins, Neurosis, Acid King, Fantomas and High On Fire previously, to name but a few!
The production job is really quite superb, effectively capturing all the elements of the Los Natas sound and bringing each instrument to the fore in turn. - Roadburn Magazine
credits
SERGIO CH. - GUITARRA & VOCALS
WALTER BROIDE - BATERIA
GONZALO VILLAGRA - BASS
ADRIAN OUTEDA - VOCALS
MASTERED BY JUSTIN WEIS
ARTWORK BY SERGIO CH.
PRODUCED BY BILLY ANDERSON
