Old Hag on the Mountain brings together the crushing weight of doom metal, the abrasive edge of sludge, and the darker side of heavy psychedelia. Drawing inspiration from occult themes, dark fantasy, and horror, the Atlanta-based band creates a dense sonic landscape built on downtuned guitars, massive fuzz, eerie atmospheres, and experimental noise.

Their debut full-length moves between punishing riffs, psychedelic passages, and unsettling instrumental interludes, bringing together the raw spirit of underground heavy music with a distinct dark aesthetic.

Recorded on two-inch analog tape at Postal Recording Studio, the album captures a warm, organic sound shaped by an extensive collaborative recording process.

For fans of Electric Wizard, Sleep, Black Sabbath, and Coven.

Vinyl pre-orders open November 15, 2026. Full album release expected in early March 2027 through Glory or Death Records.

- REPRESS of The Vintage Caravan sophomore album in brand new colored vinyls - 

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EPRESS of The Vintage Caravan sophomore album in brand new colored vinyls.

The Vintage Caravan started as two childhood friends, both only 12 years old at the time, playing music with inspiration drawn from their parents’ music collections. In just a few years they had recorded a full length LP and began touring all over their home country. Soon thereafter they offered up Voyage. The album is a psychedelic journey bent on leading the listeners down the stranger avenues of the mind. The young group consistently exhibits their extraordinary talent and knack for progressive hard rock throughout Voyage.

A young group with as much talent and potential as The Vintage Caravan doesn’t come around very often. They are clearly very adept at what they do, and are amongst a plethora of hard rock bands seeking to fully resurrect the genre. Voyage is a fantastic album of throwback hard rock with just the right touch of progression injected into it, and is a more than worthwhile album to give a listen.

Echoes and Dust

- REPRESS of The Vintage Caravan fourth album in brand new colored vinyls -

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ALBUM DESCRIPTION

REPRESS of The Vintage Caravan fourth album release in brand new colored vinyls.

The great thing about classic rock is it can come in so many forms. With The Vintage Caravan, it’s found to be more fuzzy and psychedelic but they ensure things are kept heavy enough for good measure.

In the best way possible, Gateways is another Vintage Caravan album with some impressive additions to their arsenal. Dialling back on the harder, grittier tones of its predecessor to add in even more fuzzy retro sounds has worked excellently to make sure they still sound like only they can.

The Moshville TimeS

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DIGIPAK

REPRESS of the Weedpecker third album III in brand new colored vinyls and digipak !!

On III, Weedpecker’s third full-length, the first notes of the album already evoke a blissful and airy atmosphere, waves of guitar rolling over the listener until a deep bass, drums and mellotron set the tone for the trip to come. The atmosphere the band creates is offset by an interplay of heavy riffing, etherial vocals and progressive structures.

Further sidestepping entrapments of the stoner rock genre, III sees the band experimenting with light, colorful jams that remind the listener of Tame Impala or Morgan Delt. Moving seamlessly between styles and moods organically, it’s easy to get lost, only to find yourself emerged in a different world entirely. - Bandcamp

CREDITS

Recorded in April 2017 at Nebula Studio.

Recorded, mixed and mastered by Haldor Grunberg (Satanic Audio).

All musick and lyrics by Weedpecker.

Cover art by Maciej Kamuda.

Released in 2018 by Stickman Records

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Three years in the making, Armour of Surrender brings together ancient doom band Wyatt E. and Nina Saeidi, Iranian vocalist of the British band Lowen.Born from their first collaboration on The Diviner's Prayer to the Gods of the Night, featured on the album zamāru ultu qereb ziqquratu – Part 1, the project continues their shared exploration of ritual music, ancient poetic traditions, and the meeting points between spirituality, mythology and the human condition.

Through four compositions sung in English, Farsi and Akkadian, Armour of Surrender reflects on grief, disappearance, memory and surrender. The lyrics draw from different periods and traditions, bringing contemporary writing into conversation with Persian mystical poetry and the mythology of ancient Mesopotamia.

Alongside the original compositions are two adaptations of ancient texts: a ghazal by the Persian Sufi poet Farid ud-Din Attâr and a passage from Ishtar's Descent to the Netherworld, the Mesopotamian tale of a goddess who journeys into the realm of the dead, gradually stripped of the symbols of her power.

Across languages and centuries, the four compositions share recurring themes of grief, memory, loss and surrender. The sea becomes a place where sorrow is swallowed, while symbols of peace bear the marks of violence. Elsewhere, disappearance and the stripping away of identity suggest transformations whose outcomes remain uncertain. Drawing on stories thousands of years old and questions that remain just as relevant today, Armour of Surrender follows different forms of letting go, where vulnerability can become strength and surrender does not necessarily mean defeat.

100 ULTRA LTD COLOUR IN COLOUR YELLOW BACK. TRANSP. WITH BLOB IN SOLID RED + SPLATTER IN BLACK VINYL

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After two years in the making, Wyatt E. seals their long-awaited return in 2025 with the highly anticipated narrative sequel to “āl bēlūti dārû”: zamāru ultu qereb ziqquratu Part 1 (Music from inside the Ziggurat); is the first chapter of a set of 2 concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem.

Featuring contributions from 7 international collaborators, zamāru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production & conception and will be released by the finest label in the genre: Heavy Psych Sounds.

The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Fazıl Say is also present, with a quotation from his symphony Mesopotamia.

For the first time, two vocal tracks appear alongside the instrumental pieces. Iranian singer Nina Saiedi lends her ethereal voice to "The Diviner's Prayer to the Gods of the Night," sung in Akkadian, while Jerusalem’s choir conductor, Tomer Damsky delivers a captivating performance of Im Lelya in Aramaic adding a deep vocal layer to the album. The final mix, crafted by renowned producer Tim De Gieter, known for his work with Amenra, Brutus, and Absent in Body, brings everything together with a masterful touch.

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With their third album, The Vintage Caravan wastes no time grabbing the listener with their brand of metal infused, classic rock. The first song, ‘Last Day of Light’ builds with the kind of abandon reminiscent of a runaway tidal wave. There are surf rock sounds peppered throughout the album and this excursion into the sea ends with a brilliantly orchestrated, yet simple, breakdown. There are familiar sounds everywhere on this album, most of which are musically justifiable.

The album is a wonderful excursion into 70’s and 90’s hard rock and metal, full of energy, admiration, and confidence. Whether or not they have arrived or are still sailing a voyage, The Vintage Caravan’s Arrival is one hell of a journey.

Echoes and Dust